DualBright — 12 Styles

DualBright Serif

DualBright Sans

DualBright Serif Plain

DualBright Sans Plain

DualBright Serif Outline

DualBright Sans Outline

DualBright Serif Stencil

DualBright Sans Stencil

DualBright Serif Stencil
14.4
3
1
50 - +
50 - +
Speak softly in the wind
DualBright Sans
4.6
3
1
50 - +
50 - +
In stone and silence, the letter remains
DualBright Serif Outline
17.9
3
1
50 - +
50 - +
Epigraphy
DualBright Sans Plain
2
3
1
50 - +
50 - +
SERIF OR SANS, IT SPEAK THE SAME TRUTH
DualBright Serif
15.1
3
1
50 - +
50 - +
MONUMENT
DualBright Sans Plain
8.8
3
1
50 - +
50 - +
Cleopatra’s Needle: A 3000-Year Journey Across Continents
DualBright Serif
4
3
1
50 - +
50 - +
Turning a Flawed Block into David
DualBright Sans Plain
1.3
3
1
50 - +
50 - +
In the heart of the Renaissance, Michelangelo faced a challenge that would define his legacy: a massive, flawed block of marble, discarded by other sculptors, and a vision of human perfection waiting to emerge. From this imperfect stone, he carved David, capturing both the quiet tension of the young hero and the monumental strength of his form. Every curve, every muscle, every carefully proportioned detail is a testament to Michelangelo’s mastery, blending anatomy, emotion, and artistry into a single, breathtaking figure.
Standing over 17 feet tall, David is more than sculpture—it is a story frozen in stone. The figure’s poised gaze, ready yet composed, embodies the Renaissance ideals of human potential and beauty, while the sheer scale of the work evokes awe and wonder. Michelangelo’s chisels transformed a rough, unremarkable slab into an eternal symbol of courage, ingenuity, and vision, proving that true artistry does not merely work with perfection—it creates it from challenge. Even today, millions marvel at David, a masterpiece that reminds us how imagination, skill, and perseverance can turn stone into legend.
DualBright Serif Outline
12.9
3
1
50 - +
50 - +
April 08, 1654
DualBright Serif Plain
2
3
1
50 - +
50 - +
ONE VOICE, TWO TONES

Glyphset

Uppercase

A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z

Lowercase

a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z

Stylistics Alternates

á
ă
ǎ
â
ȁ
ä
à
ȃ
ā
ą
å
ǻ
ã
æ
ǽ

Ligatures

ff
ffi
ffij
ffl
st
www

Symbols

🔀
🔁
🔂
🔃
🔄
🖢
🖣
🟏
🟓
🟔
|
¦
@
&
§
©
®
°

Arrows

Currency

฿
¢
¤
$
ƒ
£
¥

Punctuation

.
,
:
;
·
!
¡
?
¿
#
/
(
)
{
}
[
]
«
»
"
'
*
-
_

Mathematical Symbols

ª
º
Δ
Ω
μ
π
+
×
÷
=
>
<
±
~
¬
^
µ
%

Case Sensitive

!
¡
?
¿
/
(
)
{
}
[
]
-
«
»
|
¦
+
×
÷
=
>
<
±

Numbers

0
1
2
3
4
5
6
7
8
9
Old Style Figures
0
1
2
3
4
5
6
7
8
9
Tabular Figures
0
1
2
3
4
5
6
7
8
9
Tabular Old Style Figures
0
1
2
3
4
5
6
7
8
9
Fractions
½
¼
¾
Numerators/Denominators
¹
²
³
/

Accented Uppercase

Á
Ă
Ǎ
Â
Ȁ
Ä
À
Ȃ
Ā
Ą
Å
Ǻ
Ã
Æ
Ǽ
Ć
Č
Ç
Ĉ
Ċ
DŽ
Ď
Đ
Dž
Ð
É
Ĕ
Ě
Ê
Ȅ
Ë
Ė
È
Ȇ
Ē
Ę
Ə
Ğ
Ǧ
Ĝ
Ģ
Ġ
Ħ
Ĥ
Í
Ĭ
Ǐ
Î
Ȉ
Ï
İ
Ì
Ȋ
Ī
Į
Ĩ
IJ
ÍJ́
Ĵ
Ķ
LJ
Ĺ
Ľ
Ļ
Ŀ
Lj
Ł
NJ
Ń
Ň
Ņ
Ɲ
Nj
Ñ
Ŋ
Ó
Ŏ
Ǒ
Ô
Ȍ
Ö
Ȫ
Ȱ
Ò
Ơ
Ő
Ȏ
Ō
Ǫ
Ø
Ǿ
Õ
Ȭ
Œ
Þ
Ŕ
Ř
Ŗ
Ȑ
Ȓ
Ś
Š
Ş
Ŝ
Ș
Ŧ
Ť
Ţ
Ț
Ú
Ŭ
Ǔ
Û
Ȕ
Ü
Ǘ
Ǚ
Ǜ
Ǖ
Ù
Ư
Ű
Ȗ
Ū
Ų
Ů
Ũ
Ŵ
Ý
Ŷ
Ÿ
Ȳ
Ź
Ž
Ż

Accented Lowercase

á
ă
ǎ
â
ȁ
ä
à
ȃ
ā
ą
å
ǻ
ã
æ
ǽ
ć
č
ç
ĉ
ċ
ď
đ
dž
ð
é
ĕ
ě
ê
ế
ȅ
ë
ė
è
ȇ
ē
ę
ə
ğ
ǧ
ĝ
ģ
ġ
ħ
ĥ
ı
í
ĭ
ǐ
î
ȉ
ï
ì
ȋ
ī
į
ĩ
ij
ȷ
ĵ
ķ
ĸ
ĺ
ľ
ļ
ŀ
lj
ł
ń
ʼn
ň
ņ
ɲ
nj
ñ
ŋ
ó
ŏ
ǒ
ô
ȍ
ö
ȫ
ȱ
ò
ơ
ő
ȏ
ō
ǫ
ø
ǿ
õ
ȭ
œ
þ
ŕ
ř
ŗ
ȑ
ȓ
ś
š
ş
ŝ
ș
ß
ſ
ŧ
ť
ţ
ț
ú
ŭ
ǔ
û
ȕ
ü
ǘ
ǚ
ǜ
ǖ
ù
ư
ű
ȗ
ū
ų
ů
ũ
ŵ
ý
ŷ
ÿ
ȳ
ź
ž
ż

Circled

White Circle Numbers
White Circle Letters
Black Circle Numbers
Black Circle Letters
🅐
🅑
🅒
🅓
🅔
🅕
🅖
🅗
🅘
🅙
🅚
🅛
🅜
🅝
🅞
🅟
🅠
🅡
🅢
🅣
🅤
🅥
🅦
🅧
🅨
🅩
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
A
CharacterA
NameLATIN CAPITAL LETTER A
CategoryUppercase Letter
UnicodeU+0041
Html&#65;
Hex&#x41;
Css\41
Utf 841
Utf 16fffe4100
SRIF1
GRDT1
1
100
1
100

360 languages supported

GalicianFinnishAchineseVidundaKaingangLatgalianKalenjinLuguruNdongaJavaneseUab MetoAlekanoWallisianYucatecoMakhuwa-MeettoBugineseMandinkaComorianNgazidjaMorisyenRigweAnaangToposaNgindoNdambaNorwegianSanguShillukMadureseBapukuScottish GaelicLuvaleAwakNyembaInterlinguaOkiekAo NagaRomboPalauanJola-FonyiGagauzBikolTedagaMuslim TatLatinKirmanjkiTonganDelawareMeruAleutAhtnaZayseShonaZigulaMexican MamOromoKamukuCzechMohawkTswanaBenchKoyra ChiiniAfrikaansCriouloUpper GuineaSomaliSukumaFaroeseLithuanianKaondeSangoShekoAragoneseMasaabaKurdish (Latin)PökootNeapolitanWayuuSilesianIkwoAfarResheFilipinoVõroChuukeseKitubaMündüDikakaRomanshZarmaKimbunduVunjoWarlpiriHangaNorwegian NynorskBangwinjiNdauPogoloOccitanQuechuaBenaGamoIgboMwaniMalay (Latin)GbayaSudanOmaha-PoncaNyoroRomanianMachameLigurianAlagoBosnianTivNupe-Nupe-TakoTurkmen (Latin)VepsYaoRongaHadiyyaInnuPicardTalinga-BwisiFijianMalteseKutuFuliiruLuba-LuluaTok PisinNorth NdebeleHiligaynonSamoanWalserSãotomenseSandaweMinangkabauLundaBasqueIgedeSoninkeWelshGheg AlbanianBalineseCornishTokelauGofaKabuverdianuNorthern SamiTaitaLatvianTedim ChinUpper SorbianMambilaNigeriaWolaytta (Latin)MakondePortugueseLangoUgandaNorwegian BokmålEstonianLuoUmbunduSlovenianIrishAcoliNiueanRinconada BikolAsturianSudanese ArabicTakwaneIndonesianMakhuwaTuvaluUyghur (Latin)PapiamentoCahungwaryaLambaSidamoSogaBengaKashubianSardinianNguluChigaSlovakRundiNyankoleBariNovialSpanishIraqwSranan TongoPunuBandaWest CentralBiniKalangaTsuvadiKoyraboro SenniGilberteseBretonHungarianRendilleLokaaSouthern SamiAromanianArabicChadian SpokenTetumBilenPohnpeianEsperantoSwahiliSeselwa Creole FrenchBembaSwiss GermanMaoriPiedmonteseLomweNyanjaNyasa TongaKhasiTooroAymaraOtuhoBislamaCroatianSenaWalloonKonjoBedawiyetZaghawaLow GermanSiksikaRarotonganGermanHawaiianSamburuGwichʼinKambaXavánteEfikKuanyamaLower SorbianTahitianBatak TobaInari SamiTsamaiLuwoNaraRwaChidurumaRéunion Creole FrenchMirandeseDawroNdogoDidingaIlokoManyikaYasaVenetianSahoAsuSeriAdaraTongaTalysh (Latin)Western FrisianLuxembourgishMalagasyAlbanianNorthern SothoIvbie North-Okpela-ArheZuluShambalaWolofSassarese SardinianKʼicheʼLombardHmongLoziPampangaKalaallisutUzbekGusiiWest Albay BikolC’LelaHaitian CreoleKunamaXhosaSwedishSapinyEnglishGourmanchémaLule SamiSubaIzereMankanyaIkaDanishPolishSouth NdebeleColognianut-Ma’inGandaZuniSouthern SothoIcelandicChamorroZazaHyamLongudaTasawaqVolapükWendatKikuyuJamaican Creole EnglishTsakhur (Latin)CebuanoPanguManxSwatiMuscogeeOgbahScotsTurkishTulaEzaaKombeAzerbaijaniCorsicanItalianMapucheSicilianSwahiliCongoLatinBialiGyeleSerbian (Latin)KinyarwandaKuriaLamnso’TumbukaTsongaMandjakChimborazo Highland QuichuaLeleXaasongaxangoWarayFrenchLuyiaSundaneseEmbuKarelianKongoHopiBokobaruFriulianKwereGawwadaZandeVietnameseCatalanYapeseChokweHarari

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1040 glyphs

DualBright Serif

ABCDEFGHabcdefghi1234567890@&!?#$€

DualBright Sans

ABCDEFGHabcdefghi1234567890@&!?#$€

DualBright Serif Plain

ABCDEFGHabcdefghi1234567890@&!?#$€

DualBright Sans Plain

ABCDEFGHabcdefghi1234567890@&!?#$€

DualBright Serif Outline

ABCDEFGHabcdefghi1234567890@&!?#$€

DualBright Sans Outline

ABCDEFGHabcdefghi1234567890@&!?#$€

DualBright Serif Stencil

ABCDEFGHabcdefghi1234567890@&!?#$€

DualBright Sans Stencil

ABCDEFGHabcdefghi1234567890@&!?#$€

OpenType features

Stylistic Set 01 — Alternate “a”

ON
Alpha Omega

White Circled

ON
ABCdef12345

Black Circled

ON
ABCdef12345

Ligatures

ON
ff fi ffi fl ffl ffij st www

Old Style Figures

ON
1234567890

Tabular Figures

ON
1234567890

Tabular Old Style Figures

ON
1234567890

Numerator

ON
1234567890 251Cf

Denominator

ON
1234567890 UCl4

Slashed Zero

ON
2020 18/20

Case Sensitive Mathematical

ON
0÷2=3>≥<≤−×≠+±|¦

Fractions

ON
1/2 1/4 3/4 1/8 3/8 5/8 7/8 0/0 0/00 398/132

Case Sensitive Forms

ON
N·!N¡N?N¿N/{N}[N](N)—OO-­«N»‹N

About DualBright

DualBright was originally created for my dearest friend, the stone carver Jean-Gabriel Franchini, as a typeface capable of meeting the specific demands of engraved lettering. Its foundation is a variable axis that shifts fluidly between sans-serif precision and serif refinement, giving him the ability to calibrate tone, character, and expressiveness directly within the font. This makes it well suited for the full spectrum of memorial work, from modern minimalist headstones to solemn, classical epitaphs requiring more ornamental detail.

During the drawing process, the project naturally grew beyond its initial crafting-for-stone purpose and expanded into a fully featured digital font family. DualBright includes Color, Plain, Outline, and Stencil styles, each supporting the same serif-to-sans variability. The Colored style uses layered color formats and gradient transitions to add depth and a subtle sense of materiality—evoking polished stone, light falloff, or dimensional carving when used on screen. The Plain style preserves maximum clarity and stability for both carving and everyday display, while Outline distills the forms to their essential skeletons, making it ideal for engraving layouts or lightweight graphic applications. Meanwhile, the Stencil style functions as an inverted counterpart to the Outline—flipping positive and negative space to create a bold, cut-away appearance rather than relying on traditional bridges.

From etched stone to illuminated interfaces, it provides fine control over detail, structure, and style. What began as a custom tool for a single artisan has grown into a versatile family that honors traditional craftsmanship while embracing contemporary visual expression. Whether in stone or pixels, DualBright shows that letters can carve a path and sometimes, just sometimes, a little fun.

Designer

NBR — Bastien Sozeau

Released

2025

Styles

Available in Serif & Sans in 4 styles including a color font and a variable for each style

Choose Your DualBright Styles

15

90
25
15
15
25
15
15
25
15
15
25
15
15
Category:
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